Amber Ridington | Folklorist & Consultant

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Installation & Travelling Exhibit : The Historic Quonset Auditorium (2001)

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  • The Historic Quonset Auditorium, Exhibit Panel 1
  • QuonsetExhibit-2
  • QuonsetExhibit-3
  • QuonsetExhibit-4
  • AR-01-11-4A

This exhibit debuted at the 2001 Kentucky Folklife Festival. It was part of a performance area called The Quonset Club which represented the auditorium in its height of operation in the 1950s. The festival installation included live performances by some of the artists who had performed at the Quonset. The exhibit has since toured Kentucky schools, libraries, and museums as part of a heritage education program produced by the Kentucky Folklife Program.

The Quonset Auditorium, operating from 1947 until 1959 in Bowling Green, Kentucky, has significance as the first entertainment venue in Bowling Green open to both African-American and European-American audiences.  It was also the first venue in the region to have an integrated house band, drawing on talent from the local bands Joe Marshall and the Rovin’ Ramblers and The House Rockers.  It is remembered as “The most happening place in town” and was a regular tour stop for major recording artists traveling the country, R&B, and gospel music circuits.

Role:

     Exhibit Researcher and Curator

More info:

Kentucky Library and Museum’s Teachers’ Guide to the Quonset Auditorium

  • Architecture of Segregation
  • Popular Music

Documentary Film: Rovers, Wrestlers and Stars

Exhibit panels produced by, and used with permission of, the Kentucky Folklife Program, a division of the Kentucky Historical Society.

About Amber
I am a folklorist and heritage consultant currently finishing up my dissertation on continuity and innovation in the Dane-zaa (northwestern Athabascan) dreamers' song tradition. My work has focused on collaborative ethnography, Indigenous technologies, and Indigenous use of digital media.
  • amber@amberridington.com
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